This unprecedented development, named Chelsea Residences by DAMAC, is being touted as the world’s first football-themed branded residential project, merging luxury living with the world of elite football.
Rising 30m-high and composed of a network of intricate 3D-printed concrete columns, this four-storey tower is the world’s tallest 3D-printed structure of its kind.
A major challenge of the site was its limited area, which demanded strategic spatial organization to accommodate essential functions like parking, privacy and seamless interior circulation.
The exterior of the residence in Tiruchirappalli embodies a thoughtful and functional design approach, maximizing the potential of its 12’ x 22’ plot located in a busy, wall to-wall neighborhood.
The building acts as a social condenser, drawing people in for a variety of informal activities, discussions and interactions, thus supporting an ecosystem of learning that transcends structured classroom boundaries.
Reportedly, the building will predominantly use mass timber construction, a choice driven by both environmental and aesthetic considerations.
Her project, Soundbounce, rethinks sustainability by turning discarded tennis balls into a striking, tactile and effective sound-dampening material.
The pavilion is composed of three interconnected domes, namely, Dome A, Dome B and Dome C, each employing different materials and structural philosophies that reflect Ban’s architectural ethos and ingenuity.
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